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I’ll be curious to see what people think of this as they’re using it.
Very curious to see how it compares to ARC
Seems like it’s more geared to live sound. Same idea, just using an interface and integration that caters to live sound engineers. I’m sure it works on the same principle as every other corrective filter, but integrates with Smaart. I don’t do live sound, so I don’t know how handy this is, but I’m guessing if it’s a standard, it would be way better than tyring to use ARC or any other system for each show.