So I wrote and recorded this in 2016, and it is an ambitious song for me, but one I never did mix quite right at the time for various reasons. So it occurred to me I might have new plug-ins that could make it better nowadays. This has ReFIR noise cancellation and Boz Manic Compressor set for Clean 1 Vocals.
Thank you for the reviews! Now your music: per usual, your singing reminds me of Roger Waters (not a bad thing). I can see why takka mentioned Bowie (my favorite male singer) also. Vocals are pretty good. I don’t hear much or any electric bass or synth bass, I think that could fill out the sound more. Otherwise, the mix sounds pretty good to me. I’m trying to remember if your other songs had electric bass. If you play guitar, playing bass is fairly easy if you aren’t trying to play like Flea or Geddy Lee. Sometimes your vocals are getting a little drowned out by some (higher frequencies) of the higher pitch guitar (and perhaps some keyboards?), though not serious. I think your song is pleasant , I like it. Some nice melodies.
I do hear spots where that happens, Aaron, and I think I can tweak it a little on the levels.
These are all midi instruments, so it is possible to swap out an instrument or adjust its levels a bit.
As far as the bass, I think it is in there but too low. I had other versions where it was too high, so I may need to revisit it. Bass is not my forte, but I do it by synth. I have a better bass synth now than I did then, Waves Bass Slapper, so I might try that.
Hi Vox should be down the middle bud. I would like to hear less reverb also. There is just too much going on with all levels pretty high to hear the vocal clear. Need to tame those down. Interesting for sure. Keep posting your updates.
Interesting song with lots of ear candy stuff going on. I like that!
As to the mix, it sounds to me like you put reverb on the vocal but not on the rest of the mix. The effect is that the singer appears to be singing from the wings while the band is competing for front stage positions. Maybe this is your intention. If it isn’t then my advice would be to use a slap back delay on the vocal to add depth without losing the front of stage position the vocal deserves. You could the add in a little reverb after the delay (like a vocal plate). If you don’t like slap back delay try using some preverb (I use a delay of about 60 milliseconds before the reverb tail kicks in). The effect is that the vocal sounds up front but also has a reverb tail. A snazzy variant is to send your vocal to a specific reverb bus for vocal reverb and add a compressor on that channel before the reverb which is triggered by the vocal (parallel compression). You can - if you want - have tons of reverb which only kicks in at the end of each word or phrase. Here’s a good description of how you set it up:
Another thing you can do is to use a reverb bus (I tend to use a room reverb) and send all your instruments so it sounds like their in the same room and less up front.
Another interesting set of reverb and delay tutorials I found on the musician on a Mission channel