Another follow up on our song creation talks. Here are some ideas to bash.
I had this drum/rhythm track and added a guitar line to show the general vocal melody for the verse/chorus/bridge. Then I added a scratch gtr solo to show where the solo goes
First time thru its just the intro/verse/chorus without the represented vocal melody. The melody comes in on the 2nd verse etc
How does it strike you? is it worth recording for real? (with harmonies etc of course)
How do you all decide if something is worth a crap?? lol
Thanks, JJ
for whatever reason the mps upload didnt work. here is the song
Iâm reminded of this book I read a long time ago that I believed shaped much of the way I approach things in life. Itâs called The Path of Least Resistance by Robert Frost.
In a way, youâve got to start at the end. At the goal. When you ask if the song is worth finishing, I ask myself, âwell, whatâs the point of the song?â Musical tastes are diverse. One person may hate a song that someone else loves to pieces. No one can tell you if a song is worthwhile or not, without context.
Do you like it? Do you want to finish it? Whatâs the song about? Do you have a vision for what it will be, once itâs completed, and does that vision compel you to finish it? I work based on my vision for the finished piece. The vision may change throughout the process, but itâs always there in my head, compelling me to work towards it.
This particular song seems okay to me. It didnât make me go, âwow,â but itâs pleasant to listen to. Iâm not really sure where itâs going so itâs hard to comment.
Well there are many types of songs. If you think back to the old days of âalbumsâ you might have 10 different vibes on those 10 songs
if I were able to hear the whole process in my head and translate that 100% into realityâŚthen we wouldnt be hear talking now
And yeah, I agree. This is probably a useless gesture (to ask for feedback). 99% of people wont like something unless its a hit on the radio. That being said, I cant stand anything on the radio and I have no interest in dance/hip hop music. Anything I do is going to fall under the umbrella of ârockâ
I havent found the right approach for writing yet. As ive only been singing since '16, but playing guitar forever.
If I sit with guitar and just improvise melodies along with chords, I can get some great stuff going. BUT the catch there is I have no clue how to lay down stuff with no drums
ie, once I come up with some interesting chords/melodyâŚi have no clue how one would then sift thru ez drummer to attempt to find something that fits.
Hence I have always started with drumsâŚbut then it seems hard to add anything really interesting lol
Drums are usually one of the last things I add to a track. Are you using preset loop type things from EZ Drummer? Maybe you should try writing in the MIDI by hand. Thatâs what I do. I listen to my song and sort of think of what a good beat would be, then experiment writing in MIDI for drums, (often I start with the kick drum) and work at it until I get something I like. Then I duplicate it a bunch, adding some variations here and there, and often change things up for the chorus or other parts of the song. I can see how it would be really hard to find a preset that matches the song youâve come up with. Iâve never even attempted it.
[quote=âJon-Jon, post:1, topic:1459â]
How does it strike you? is it worth recording for real? (with harmonies etc of course)[/quote]The melody doesnât fit the accompanying chords in many places - especially the sequence beginning at 1:16 - well, not diatonically anyway. If you want to keep the melody I suggest finding some better chords to fit it - or if you want to keep the chord sequence, I think there are better notes to find in the melody.
[quote]How do you all decide if something is worth a crap?? lol
[/quote]I record it - all the way, including mastering. I imagine thereâs a guy with a gun at my head saying âif you donât make something good out of this Iâll pull the trigger.â If I didnât work this way I would probably ditch most stuff that I write. But working this way, I end up liking almost everything I write and record. If Iâve given it my best shot at making it work and I still donât like it, then itâs officially crap, but that doesnât happen often.
AndâŚif the song has been recorded, produced and mastered well, there are always others who like it, even if I think itâs shite, which is surprising/annoying/frustrating/gratifying, all at once.
Im not going to say this comment is âwrongâ but to me its a taste thing. In other words I understand the comment but I (obviously) dont hear anything that doesnt âfit.â This isnt a plain jane set of chords or melody. Without checking I am going to assume that all 12 notes are represented here somewhere lol.
Its got major to minor stuff happening as well as touches of Lydian, Phyrgian etc etc. Rock n Roll has plenty of history of blue notes and similar affectations
your comment there remind some of Yngwies comments on Jeff Beck and Steve Vai. He thought âCause weve ended as Loversâ was the worst out of tune playing he had ever heard and he wanted to ask Steve âWhy dont you just play the correct note for the song??â
Yngwie likes the strict baroque approach and he is one of my faves but I also understand where Jeff and Steve are coming from
A taste thing. I understand where u r coming from with the comment
Very hard to do anything fresh or even interesting by sticking with a pure diatonically âcorrectâ vibe.
im aware lol. But u have many bands such as Soundgarden etc who use different chord progressions that arent really diatonic. Same can be said of vocal melodiesâŚplenty of room for interesting resolutions etc etc.
Never mind the Beatles lol. Threw out the rule book as they created it
I really dig the opening⌠then we hit the 0:16 mark and the song that follows seems to be of an entirely different character and it never re-visits that space. Not saying that is good or bad⌠I was just hoping for more of the vibe set in those first 16 seconds.
cool tune. the catchy part for me is the 2nd verse with like the middle eastern feel. A killer vocalist would definitely make this song a hit. IMO you should find someone who sings like the Alter Bridge vocalist. (just a thought) I love where this is going. keep us posted. you definitely need to record this song for real
well the 2nd verse is the only part where I laid the vocal melody over it lol. That âlead guitarâ part is more or less what a singer would be singing.
But yeah, definitely with the sort of weird chords it is going to have that exotic vibe to it
im honestly itching to hear the full song. nicely done on songwriting. cheers! i also posted a new thread here on bash and im in need of your help i hope you have the time thanks for letting us listen to this cool track