After Stan mentioned the Lynard Skynard piano thing, I went back to give it another listen and I too noticed the keys. I like the subtlety of it.
Another thing that really struck me listening to this song again is how great the drums sound ! They sound so full and natural but they have a real big snap to them. There’s something that I really like about the way the drums and bass are working together to drive the song. It’s like a great 70’s recording. Natural, big and impactful drums. I’m assuming that the drummer is the same one you’ve been working with on your recent recordings, correct?
I believe I heard it on the first pass, then had to go back to that part and listen for it again.
I understand the value of barely noticeable parts underneath. The ears/brain hears it even if we’re not conscious it’s there. A type of psycho-acoustics perhaps. I’d vote for just a little more prominence though, per your explanation. Even if you just make a riff or a few seconds poke out more, it will call attention to it and be fun.
Thanks mate, yes it is the same drummer on this whole album - he’s great!… Here is what the raw drums sounded like, so there is a little massaging going on in the mix:
ColdRoomStudio,
This sure sounds different than the orchestral song! Listening to the newer mix: strong vocals and guitar riffs & playing! The intro, verse, and chorus work best for me: excellent. Anything else is quite good also. Audio quality is very good. No gripes. I think it is radio worthy.
